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She was born Tessa Charlotte Rampling on Feb. 5, 1946 in the village of Sturmer, in Essex county, England. Her father was Godfrey Rampling, a Royal Army officer and three-time gold medalist in the 400 meter and 4x400 meter relays in the 1932 and 1936 Summer Olympics, while her mother, Anne Isabelle Gurten, was a painter from France. Her childhood was spent in transit, moving throughout the U.K., France and Gibraltar with her father's reassignments. She was educated in part at the Jeanne d'Arc Academie Pour Jeunes Filles in Versailles, which she later described as a lonely experience due to the language barrier. Happiness was found in a cabaret act she enjoyed with her older sister, Sarah, who died by her own hand in Argentina in 1967 after the premature birth of her daughter.
Dune: Part Two
“Another thing about acting is that I got bored very quickly. I’ve got a very, very restless character … It’s a beast.” Does she know where it comes from? In her hotel room, she pulls an armchair around to face mine, folds her arms, and sits forward, legs apart, as if she means business.
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Given that her career has, in its own right, been extraordinary, I wonder how she feels about the idea of being a muse. “I think it’s a question of age, because when you’re much younger, you could be. It can be easy to look back on Rampling’s career as a series of provocations.
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She married Southcombe and they had a son, Barnaby – now a film-maker, who directed Rampling in the movie I, Anna in 2012. It was such a contrast to how she felt in real life. Things were incredibly difficult, but there, I felt just great.” She didn’t go on to study drama, or perform in school plays.
Juniper
Part of it is asking yourself how you get into the mind of a younger actor, but it comes very naturally because everyone is human. Unless you’re in a place where you don’t really want to learn, you don’t really want to listen to others, then there’s always potential. When you’re working with the other actors and the director and the crew, it’s very intimate—you’re all intertwined for a certain period of time, and you get to know some of them better than you do your real friends because you spend so much time sitting around and talking and eating together.
She simply waited another year for an opportunity to ping in front of the good people of Stanmore. It’s like somebody who’s just about to bud — or not — or blossom, or not. He’d been working on short films, trying to work his way into the industry as you do when you want to be a director. So you’ve got somebody who’s really raw and has potential who hasn’t been able to show it. The reason I wanted him — he suggested to come over, and the reason I wanted to work with him was just to see who he was, how flexible he’s gonna be, how we’re going to get into this character together. Some of the way she behaved to me [in the original script] was really a sort of cranky old lady, and I said, this is not so interesting.
(2021 TV Movie)
Born in England circa 1945, actress Charlotte Rampling is the daughter of a British colonel who went on to become a NATO commander and relatively successful painter. After attending the Jeanne d'Arc Académie pour Jeunes Filles in Versailles and the prestigious St. Hilda's school in Bushley, England, Rampling worked as a model before making her film debut as a water skier in The Knack...and How to Get It (1965), director Richard Lester's acclaimed sex comedy. Her breakout role, however, wouldn't come until a year later, when she performed opposite Lynn Redgrave as the bitchy but beautiful roommate of the title character in Georgy Girl (1966). Georgy Girl set the standard for Rampling's further work, which, while not always popular with mainstream audiences, could never be conceived of as mundane. Luchino Visconti's The Damned (1969) is no exception to the rule (the incestuous political drama was originally rated X in the United States); neither was her work with Sean Connery in John Boorman's sci-fi adventure Zardoz (1973).
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Just like Juniper, Dune began with Denis Villeneuve wanting to meet with me. I knew all about Dune because way back when, I was being considered for Dune by Alejandro Jodorowsky, and my husband at the time, Jean-Michel Jarre, was wanting to do the music, so we were all talking about that for quite a while. And Dune was this very popular, cult book in the 1970s, so that started then, and then David Lynch did his, but I wasn’t in that. When Denis wanted to meet me, I just thought, This is lovely!
Critics raved over the complexity of her performance, which explored unsettling depths of denial in its attempt to make sense of the tragedy, and for her work, Rampling received her second Cesar nomination. Her sophomore project with Ozon, 2003's "Swimming Pool," was a deeply personal project for the actress, as it allowed her to finally come to terms with her sister's suicide. Another critical success, the film brought Rampling a third Cesar and a European Film Award for Best Actress.
You can exactly see where this is going from the off. Ruth and Sam – each raging at the world – inching towards friendship and a sense of peace. Still, while first-time feature director Matthew J Saville won’t be winning any awards for originality, he has made an emotionally satisfying film. It’s beautifully acted with insightful things to say about how alcoholism and dysfunction echo unhappily down the generations.
Her film roles include Georgy Girl (1966), The Damned (1969), Henry VIII and His Six Wives (1972), The Night Porter (1974), Farewell, My Lovely (1975), Stardust Memories (1980), The Verdict (1982), Angel Heart (1987), DOAThe Duchess (2008), 45 Years (2015), and Hannah (2017). She has also made television appearances, which include Dexter, Restless, Broadchurch and London Spy. It is rare to find a mention of Rampling that does not refer to her credentials as a muse. She has been a muse to François Ozon, who revived her film career in the late 90s, to designer Yves St Laurent and photographers Helmut Newton and Juergen Teller (posing nude for the latter in front of the Mona Lisa), and now to Andrea Pallaoro, too.
A 17th-century nun in Italy suffers from disturbing religious and erotic visions. She is assisted by a companion, and the relationship between the two women develops into a romantic love affair. When his ex wife gives birth to a baby girl with severe liver issues, Rolf gets involved in searching for an organ donor. Rolfs search leads him and his colleague Neel, into making a gruesome discovery. Simon and Mark are joined by the extraordinary Charlotte Rampling to discuss her new film 'Juniper'. Mark reviews the highly anticipated psychological drama 'Blonde', 'Don't Worry Darling', 'Catherine Called Birdy' and 'Juniper'.
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